About

I’m a cinematographer based in Ireland, skilled in both factual and narrative work. I began at Windmill Lane Pictures, the renowned post-production house in Dublin that served as my college and training ground. Working alongside some of the most talented professionals in the industry, I gained invaluable experience and developed a keen eye for visual storytelling.

Since 1998, I’ve been a freelance Director of Photography working on many award-winning TV and feature documentaries. I have expanded into the narrative field, enjoying the collaborative process of working with larger teams on feature films and TV dramas. I really enjoy working with the director and all the departments to help bring the script to life.

Download my full CV here.

Download My Bio here.
View my IMDB profile here.

View my Vimeo profile here.

AWARDS

  • 4 IFTA (Irish Film Television Academy) Best Cinematography nominations:

    That they May Face The Rising Sun - Winner -Best Feature film 2024

    Song Of Granite – Pat Collins Harvest Films/Roads entertainment

    In Good Hands - Frank Delaney GMTV

    Two for the Road - Alan Gilsenan Yellow Asylum Films

  • Best Cinematography - Galway Film Festival 2018 - Song of Granite

  • EMMY Nomination 2017 Outstanding Lighting - Barbarians Rising

  • RTS award 2025 Best TV Drama CRA 2025

  • Best Feature doc -Cork international film festival 2024 - The Blue Road -

  • Best Feature Doc. Galway film Fleadh 2024 - Housewife of the year -

  • Galway Film Fleadh 2023 : Best Irish Documentary - The Graceless age John Murry

  • Radharc Award 2008 - Aids in Africa -A Missing Generation

RECENT Press

“That They May Face the Rising Sun is a profound experience. It’s a wonderful film. If you haven’t seen it yet, try to get to it this week. Beautiful, incredibly moving, and soothing, it’s also an exercise in memory.” — Una Mullally

“Despite the quietude and Richard Kendrick’s Zen-like cinematography, there are sharp edges.” — Irish Times Culture

“Beautifully shot, with a delicate touch courtesy of cinematographer Richard Kendrick.” — Declan Burke